Main Interest
- 1851 Great Exhibition
- 1853 Crystal Palace accident
- 1855 & 1867 Expositions
- 1862 International Exhibition
- 1864 Rammell's pneumatic railway
- 1903 Motor show
- 1904 Motor Show
- 1908 Franco-British Exhibition
- 1908-1914 Great White City
- 1911 Coronation Exhibition
- 1911 Festival of Empire
- 1920 IWM & Great Victory Exhibition
- 1921 Poultry Show
- 1924-1925 British Empire Exhibition
- 1930 Antwerp Exhibition
- 1936 Crystal Palace Fire
- 1937 Exposition Internationale
- 1938 Glasgow Exhibition
- 1951 Festival of Britain
- 1998-1999 anti multiplex protest
- 2000 Millennium Dome
- Aeronautics
- Alexandra Palace
- Anerley and Penge
- Art and architecture
- Beckenham
- Biographies & Works
- Camille Pissarro
- Children's books
- Circus
- Collecting
- Colouring & drawing
- CPF Publications
- Cricket and Bowling
- Croydon and Norbury
- Crystal Palace & area
- Crystal Palace Company & bankruptcy
- Crystal Palace police
- Crystal Palace School of Engineering
- Cycling
- Delamotte images
- Dinosaurs
- Dulwich & Kingswood House
- Edward Milner & gardening
- Emile Zola
- Exhibition history
- Family history
- Fireworks
- Football
- Girl Guides 75th anniversary
- Great North Wood
- Guide Books & Orienteering
- Ideal Home & South London exhibitions
- Illustrated Crystal Palace Gazette
- Infomart, Dallas, USA
- Isambard K. Brunel
- Maps of London
- Motor Sport
- Music & Religion
- North tower lift
- Norwood New Town
- Novels
- Original souvenirs
- Public transport
- Raffaele Monti
- Railways
- Rare & out of print
- Sport - other
- St. Joseph's College, Beulah Hill
- Steampunk collection
- Sydenham & Forest Hill
- Sydenham fire station
- Television history & John Logie Baird
- West Norwood and Cemetery
- World War One
- World War Two
Art & Politics of the Second Empire |
£5.99
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By Patricia Mainardi.
A new analysis of the major shift in nineteenth-century art from large public to small private works by examining the political and institutional factors that were in effect. Mainardi brings to life the complex institutional world of official art in the mid- to late-nineteenth century, presenting the relevant individual personalities, group interests, conflicts, and shift in a policy with clarity and detail. Writing in a lively, often witty style, she throws much new light on such subjects as the decline of history painting, the rise and eventual triumph of genre painting, the influence exerted in France by the art of England, Belgium, and Germany, and the inevitable collapse of the official exhibition system.
Paperback 247 pages 128 illustrations