Main Interest
- 1851 Great Exhibition
- 1853 Crystal Palace accident
- 1855 & 1867 Expositions
- 1862 International Exhibition
- 1864 Rammell's pneumatic railway
- 1903 Motor show
- 1904 Motor Show
- 1908 Franco-British Exhibition
- 1908-1914 Great White City
- 1911 Coronation Exhibition
- 1911 Festival of Empire
- 1920 IWM & Great Victory Exhibition
- 1921 Poultry Show
- 1924-1925 British Empire Exhibition
- 1930 Antwerp Exhibition
- 1936 Crystal Palace Fire
- 1937 Exposition Internationale
- 1938 Glasgow Exhibition
- 1951 Festival of Britain
- 1998-1999 anti multiplex protest
- 2000 Millennium Dome
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- Beckenham
- Biographies & Works
- Camille Pissarro
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- Croydon and Norbury
- Crystal Palace & area
- Crystal Palace Company & bankruptcy
- Crystal Palace police
- Crystal Palace School of Engineering
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- Delamotte images
- Dinosaurs
- Dulwich & Kingswood House
- Edward Milner & gardening
- Emile Zola
- Exhibition history
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- Great North Wood
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- Illustrated Crystal Palace Gazette
- Infomart, Dallas, USA
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- North tower lift
- Norwood New Town
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- Steampunk collection
- Sydenham & Forest Hill
- Sydenham fire station
- Television history & John Logie Baird
- West Norwood and Cemetery
- World War One
- World War Two
The Glasshouse |
by John Hix
When John Ruskin attempted to disparage the Crystal Palace by referring to it as a "great cucumber frame", he hit upon a truism. The Crystal Palace outdid its Victorian glasshouse contemporaries in public gardens around the world and represented the zenith of a building type that had developed spectacularly from humble horticultural roots. The Glasshouse traces the evolution of glass enclosures from the mid-seventeenth century when the desire to nurture exotic plants in a foreign and often hostile climate led to the development of the glasshouse and ingenious mechanical servicing systems, capable of creating its own artificial microclimate.
Through tremendous technical advances in the early nineteenth century, large-scale constructions were built initially for private individuals and botanical societies. Towards the mid-century, with the advent of mass production and specialist component systems, the fashioning of modular constructions, like the Crystal Palace, became possible. The Glasshouse charts the work of innovators such as Joseph Paxton and J C Loudon, and proceeds to examine their influence on the pioneers of twentieth-century design such as Paul Scheerbart and Bruno Taut.
THE GLASSHOUSE is richly illustrated from a wealth of historic and contemporary etchings, lithographs and photographs. It will appeal to the specialist and the enthusiastic gardener alike.
This book originally published in 1974 has been extensively revised and rewritten for the modern reader.
240 hardback 350 illustrations